Sunday, October 14, 2012

Is Dada Art?



Can you call Dada art? A lot of Dada art was comprised of already made pieces, or a destruction of already famous pieces of traditional art. Famous examples of this are Marcel Duchamp’s Mona Lisa with mustache drawing, and the "bicycle wheel". Dadaism challenged everything art stood for at that time.

In 1916, in response to violence and trauma of WWI, people started expressing their feelings through Dadaism. Instead of using other forms of Art to escape life, the people would, “make visible the violence, chaos, and hypocrisies of contemporary life”. Dadaism included performances, publicity stunts, and manipulation of mass media. Overall it blurred the boundaries between art and life. It originally emerged in Zurich, a neutral territory between the countries at war. The introduction took place at a café called, “Cabaret Voltaire”, where free thinking was indefinitely encouraged. It was a way for people to express their offenses toward the war in social, cultural, and political aspects. They took modern art and turned it into abstractions, creating primitive art through expressing their unconscious. The café closed after 6 months, but the Dada movement survived and spread to other countries through the “intellectual leader… the media-savvy Tzara” (Tristan Tzara). He spread Dada activities outside Zurich through exhibition, performances, and manifestos. The art movement popularly prevailed in several major cities including Berlin, Hannover, Cologne, Paris, and New York. It was commonly said, “everybody can Dada”.

A significant amount of people would say Dada redefined art. They would argue that the Dada movement paved the way to many other forms of art we see today.  It, “set the stage for many avant-garde movements- including surrealism, pop art, and performance art”. Without the invention and the practicing of Dadaism who knows where modern art would be today.

                Paul Gauguin defines art as, “either plagiarism or revolution”. Georges Braque says, “art is meant to disturb”. Jean Sibelius defines art as, “the signature of civilizations”. Federico Fellini defined art as, “autobiographical”. Andy Warhol defines art as, “what you can get away with”. To Ad Reinhardt, “art is art. Everything else is everything else”. Art is one of those words where one definition doesn’t do it justice. Art’s meaning is different to every person who views it. Therefore, Dada is art to many but not to all.



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Sunday, October 7, 2012

War and Hollywood


War and Hollywood

Since Hollywood dominates the film industry, Hollywood style prevails defining film practice around the world since viewers across the globe are accustom to seeing and understanding films in this art exclusively. Since its establishment, Hollywood has survived and even thrived through several American Wars. Two Wars that had a large impact on the industry are WWII and the Cold War.

World War II opened a new film genre to Hollywood. It introduced new issues of race and sexuality portrayal within the films. Films new purpose was to capture their audiences through patriotism. Ethnicity and race wasn’t an issue in Hollywood anymore for the time being, as all Americans had a commonality of dislike towards a singular enemy. Films were now a way of informing the public of real emotions and stories currently taking place in their world. It was a form of connection between the soldiers and all civilians. This brought a wide variety of people to the big screens. Film Noir was developed, questioning American capitalism ideas in film. Even postwar, issues of tension between men and woman changed film. During the war women grew independent, so when the war ended, men taking their roles back caused power role issues. All of these matters were portrayed throughout the films in the era.

During the Cold War, whilst the United States and the Soviet Union were fighting, films went through the Red Scare. As Americans feared communism influence, HUAC, House Un-American Activities Committee caused a lot of film changes in Hollywood. HUAC was a committee from the United States House of Representatives sent to the studios to investigate communist subversion allegations. Ten screen writers and directors were eventually accused of communist influence/loyalty after the committee’s arrival. “The Hollywood Ten” were blacklisted, sent to jail, and were banned from ever working in Hollywood again. Therefore, films had to abide by strict production rules, and stick to neutral topics for their stories in hopes to avoid allegations of communist loyalty.

All of these events in history have contributed to Hollywood’s invisible style today. We will always look for that beginning, middle, and end to a story with a protagonist, antagonist, and love interest.