Monday, November 5, 2012

Abolishing the Production Code was the Right Decision


ABOLISHING THE PRODUCTION CODE WAS THE RIGHT DECISION


The Production code in Hollywood put into effect in the 1930’s set forth film censorship rules for viewers, to keep the government out of Hollywood’s business affairs. It’s hard to say whether the government would have ever intervened with Hollywood’s production if the code wasn’t put into action. However to say the Production Code benefited Hollywood, would set the speakers pants on fire as it would be a giant lie!

            If it was such a grand design that benefited the film industry, it would still be in existence today. Film makers grew tired of the restraints and demands placed on their scripts. So much in fact, they started to fight by ignoring the boundaries set in place by the code. The film, “Some like it Hot” is a result and perfect example of the start of the rebellion. The film was a remarkable hit in the box offices, without the MPAA certification. This proved to many producers and viewers alike, the code wasn’t a necessity to be adhered to, to bring in a good crowd. In the 1960’s due to the mutual defiant uprising against the Production code, dismal of the code was seen altogether. This allowed the new rating system we still have today to be set into place.

            The box offices have always attracted different crowds of people among different genres of movies. Enacting the code only put a restriction on the wide variety of content in genres available for showing. This then diminishes a certain group of viewers. I do believe the code enabled a lot of producers to become innovatively creative in their scripts which in turn brought them some more success. However, it also set back a lot of producers with the challenge of portraying their story to their viewers in guidance to the Production Code.

This is why abandonment of the code was eventually seen. It’s simple, sex and violence sells. Keeping it out only hinders profit. Many modern examples of films today that have succeeded in the box offices with their main story line revolving around sex and violence are; Fatal Attraction (Lifetime Gross- 156,645,693), 8 Mile (Lifetime Gross- 116,750, 901), Gladiator (Lifetime Gross- 187,705, 427), Hannibal (Lifetime Gross- 165,092,268), and Saving Private Ryan (Lifetime Gross- 216,540,909)(Boxofficemojo.com). This list accounts for less than 5% of the successful films with violence or sex content within the film, meaning there has been an unimaginable amount of profit obtained by the productions of these types of films (See Intensity of Violence graph below). In conclusion, Hollywood does not benefit from the production code.


Profits table 2
                ** Graph shown from www.rc.vt.edu







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